One Hour Documentary: This is the story of a unique cottage, a determined archivist, James Anderson, and a skilled artist, Gerard Brender à Brandis, woven together into a rich tapestry of historical events and traditional arts.
15 Minute Documentary: Ted Fawm’s family’s rich history in horse racing stretched across Southwestern Ontario. Ted’s stories were filled with warmth, humour, and a deep connection to the traditions that shaped his life.
“My art depicts the cultural split personality that grew from my roots, both Japanese and Canadian. The garments I am creating now, are a deeply personal attempt to understand my emotional disconnect while honouring the resilience of our ancestors.” Gail Burgin
A WORTHY QUOTE
ANDREW C. BROWN – DIRECTOR / EDITOR
With over four decades of experience in the film industry, I have throughly enjoyed crafting storytelling through video, and cultivated a comprehensive skill set that encompasses editing, post-production supervision, and directing. My career has spanned a wide range of projects, including nationally broadcast TV commercials, variety programs, feature films, and television shows. This diverse background has equipped me with a deep understanding of the technical and creative aspects of filmmaking.
In the 2010s, I shifted my focus to producing and directing documentaries that resonate with my personal interests. Since then, I have successfully completed numerous projects in collaboration with organizations such as the West Toronto Art Collective, Art For Cancer, the West Toronto and Junction Historical Society, and the Stratford & District Historical Society.
My work has garnered recognition, I am proud to have received numerous accolades including two Gemini Awards, a Telly Award for directing a short-format children’s series, and accolades for best editing in a feature film. These achievements reflect my commitment to professionalism and excellence in every aspect of my work.
As the landscape of documentary filmmaking continues to evolve with changing techniques and technology, I remain captivated by the endless possibilities for storytelling. The emergence of online platforms has opened new avenues for sharing my work, yet I find that nothing compares to the thrill of attending a live screening. The connection with an appreciative audience, the shared laughter and tears, and the collective experience of storytelling create a rewarding atmosphere that is truly unparalleled.
My career in documentary filmmaking is characterized by a dedication to quality and a fascination with the craft, it is an ongoing odyssey of discovery, learning, and illumination. I am continually driven to explore new narratives and refine my skills, ensuring that each project not only meets but exceeds the expectations of both my collaborators and the audience.
The Significance of “frame18a”
The term “frame18a” holds deep personal significance for me, rooted in my journey as a visual storyteller. My passion for photography began with Nikon 35mm cameras, where I primarily worked with black and white still film. This early experience laid the foundation for my appreciation of the art of capturing moments.
The number 18 has been a meaningful part of my life for many years, starting with the purchase of my first home at 18a. This number symbolizes stability and a sense of belonging, marking a pivotal moment in my personal journey.
In the world of still photography, film rolls are numbered sequentially, and “18a” represents a unique position between frame 18 and frame 19. This designation not only enhances visibility when cutting strips of images but also serves as a metaphor for the transition between moments captured in time.
While the traditional numbering system may no longer apply in the digital age, “frame18a” evokes a nostalgic connection to the physical medium that shaped my early work. It embodies my commitment to preserving the essence of storytelling through visual art, bridging the past with the present as I continue to explore new narratives in my filmmaking journey.
